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Stili bizantin i arkitektur\u00ebs s\u00eb tempullit t\u00eb Bigorskit ngjall qet\u00ebsi, si nga jasht\u00eb ashtu edhe brenda. N\u00eb hyrje t\u00eb tempullit ndodhet narteksi, i zbukuruar me nj\u00eb korniz\u00eb mermeri – trifora, e cila mbyll hyrjen drejt pjes\u00ebs qendrore t\u00eb tempullit dhe e mbush hap\u00ebsir\u00ebn me heshtje dhe gjysm\u00eberr\u00ebsir\u00eb t\u00eb pazakont\u00eb. Prandaj k\u00ebtu, n\u00eb drit\u00ebn e zbeht\u00eb t\u00eb narteksit t\u00eb brendsh\u00ebm, njer\u00ebzit pushtohen nga nj\u00eb ndjenj\u00eb tjet\u00ebrsimi nga bota dhe shqet\u00ebsimet e k\u00ebsaj bote. Kjo drit\u00eb rritet kur hyn n\u00eb pjes\u00ebn qendrore t\u00eb tempullit, ve\u00e7an\u00ebrisht gjat\u00eb Liturgjis\u00eb Hyjnore, kur me boll\u00ebk derdhet n\u00eb altar, duke e ngritur gradualisht besimtarin nga toka drejt qiellit. K\u00ebt\u00eb p\u00ebrshtypje t\u00eb pranis\u00eb s\u00eb qiellit e p\u00ebrforcon edhe m\u00eb shum\u00eb bukuria transhendente e freskave n\u00eb kish\u00eb, e cila n\u00ebp\u00ebrmjet p\u00ebrshkrimeve t\u00eb saj artistike na tregon p\u00ebr jet\u00ebn dhe vuajtjet e ndershme t\u00eb Shp\u00ebtimtarit. Fillimisht u b\u00eb afreskalimi i kupol\u00ebs, e cila \u00ebsht\u00eb vep\u00ebr e nj\u00eb piktori t\u00eb panjohur freskash dhe ikonash. N\u00eb qend\u00ebr t\u00eb kupol\u00ebs paraqitet Krishti si Pantokrator (i Plotfuqish\u00ebm), i cili ekziston pa fillim dhe pa fund, plot madh\u00ebshti, m\u00ebshir\u00eb dhe drejt\u00ebsi. Me nj\u00ebr\u00ebn dor\u00eb bekon, duke i d\u00ebrguar bot\u00ebs bekimin e Tij Hyjnor dhe me tjetr\u00ebn mban Ungjillin e Shenjt\u00eb, duke ia shpallur t\u00eb v\u00ebrtet\u00ebn e bot\u00ebs.<\/p>\n\n\n\n N\u00eb kupol\u00ebn m\u00eb t\u00eb vog\u00ebl e cila ishte e afeskuar,rreth vitit 1866, paraqet figur\u00ebn e Pararend\u00ebsit, t\u00eb rrethuar me skena nga Gjetja e kok\u00ebs s\u00eb tij t\u00eb ndershme. Me rip\u00ebrtrirjen e jet\u00ebs monastike u plot\u00ebsua boshll\u00ebku n\u00eb pikturimin e afreskut, i cili ekzistonte q\u00eb n\u00eb fillimet e kish\u00ebs. Pas shum\u00eb vitesh, n\u00eb pjes\u00ebn e altarit, m\u00eb n\u00eb fund u pikturua afresku i N\u00ebn\u00ebs s\u00eb Zotit – M\u00eb i gjer\u00eb se qiejt, q\u00eb lidh qiellin me tok\u00ebn, i rrethuar nga afresket e arhierejve.<\/p>\n Abati Arsenij filloi me rregullimin dhe dekorimin e brendsh\u00ebm t\u00eb kish\u00ebs n\u00eb vitin 1810. N\u00eb historin\u00eb e gjat\u00eb t\u00eb Bigorskit ai do t\u00eb mbahet mend si themeluesi i madh Bigorski, m\u00eb i merituari p\u00ebr mbar\u00ebvajtjen e tempullit, me angazhimin e piktor\u00ebve t\u00eb freskave dhe piktor\u00ebve t\u00eb ikonave, e ve\u00e7an\u00ebrisht me porosit\u00eb dhe angazhimin e drugdhend\u00ebsit m\u00eb t\u00eb mir\u00eb mijak\u00eb, t\u00eb cil\u00ebt b\u00ebn\u00eb ikonostasi, si dhe punuan artistikisht ul\u00ebse peshkopi e abati. N\u00eb tempullin e at\u00ebhersh\u00ebm t\u00eb sapozgjeruar, punimi i par\u00eb i gdhendjes ishte baldahini, i punuar n\u00eb Elbasan t\u00eb Shqip\u00ebris\u00eb, ku gdhend\u00ebsit mijak\u00eb kishin puntorin\u00eb e tyre t\u00eb gdhendjes, nd\u00ebrsa manastiri pronat e veta. N\u00eb at\u00eb koh\u00eb komunikimi mes manastirit dhe Elbasanit ishte shum\u00eb i gjall\u00eb.<\/p>\n Baldahini \u00ebsht\u00eb nj\u00eb vep\u00ebr unike e gdhendur, e cila nuk mund t\u00eb gjendet n\u00eb asnj\u00eb kish\u00eb tjet\u00ebr. Ai thjesht ri pezull n\u00eb aj\u00ebr mbi Tryez\u00ebn e Shenjt\u00eb, i pranuar me kat\u00ebr zinxhir\u00eb. N\u00eb secil\u00ebn nga kat\u00ebr an\u00ebt e baldahinit jan\u00eb disa kompozime t\u00eb shfaqjeve t\u00eb Shkrimeve t\u00eb Shenjta. N\u00eb an\u00ebn ballore t\u00eb baldahinit gjendet ,,Ungjill\u00ebzimi” n\u00eb pjes\u00ebn qendrore ,,Mikpritja e Abrahamit” n\u00eb t\u00eb majt\u00eb dhe ,,Takimi me Zotin” n\u00eb t\u00eb djatht\u00eb. N\u00eb an\u00ebn jugore, kompozimi ,,Lindja e Krishtit” \u00ebsht\u00eb m\u00eb mbres\u00ebl\u00ebn\u00ebs. Ana veriore \u00ebsht\u00eb e z\u00ebn\u00eb me kompozimin ,,Prerja e kok\u00ebs s\u00eb Sh\u00ebn Gjoni”. Nga ana tjet\u00ebr, ana per\u00ebndimore, ndryshe nga t\u00eb tjerat, nuk ka nj\u00eb dekorim t\u00eb till\u00eb.<\/p>\n\n\n\n Baldahini \u00ebsht\u00eb nj\u00eb vep\u00ebr unike e gdhendur, e cila nuk mund t\u00eb gjendet n\u00eb asnj\u00eb kish\u00eb tjet\u00ebr. Ai thjesht ri pezull n\u00eb aj\u00ebr mbi Tryez\u00ebn e Shenjt\u00eb, i pranuar me kat\u00ebr zinxhir\u00eb. N\u00eb secil\u00ebn nga kat\u00ebr an\u00ebt e baldahinit jan\u00eb disa disa kompozime t\u00eb shfaqjeve t\u00eb Shkrimeve t\u00eb Shenjta.<\/p><\/blockquote>\n\n\n\n Megjithat\u00eb, dekorimi m\u00eb i bukur n\u00eb kish\u00eb dhe p\u00ebr t\u00eb cilin ky tempull njihet gjithandej, \u00ebsht\u00eb sigurisht korniza e bukur dhe unike e k\u00ebtij lloji n\u00eb Ortodoksi – ikonostasi, nj\u00eb kryevep\u00ebr e gdhend\u00ebsve mijak\u00eb, t\u00eb cil\u00ebt p\u00ebr shkak t\u00eb aft\u00ebsive t\u00eb tyre n\u00eb punimin e drurit kan\u00eb mbetur t\u00eb paarritsh\u00ebm deri m\u00eb sot. K\u00ebta jan\u00eb t\u00eb famshmit Petre Fillipovski – Garkata nga fshati Gari, me ekip\u00ebn e tij dhe Makarij F\u00ebr\u00e7kovski nga Gali\u00e7niku. Ata e p\u00ebrfunduan k\u00ebt\u00eb vep\u00ebr monumentale n\u00eb nj\u00eb koh\u00eb \u00e7udit\u00ebrisht t\u00eb shkurt\u00ebr, nga viti 1830 deri n\u00eb 1835. N\u00eb t\u00eb nj\u00ebjt\u00ebn koh\u00eb u thirr\u00ebn piktor\u00ebt e famsh\u00ebm nga Samarina, Mihaili dhe djali i tij Dhimit\u00ebr, i cili m\u00eb von\u00eb u b\u00eb murg k\u00ebtu dhe u quajt Daniil. Ata p\u00ebrfunduan ikonat n\u00eb ikonostas n\u00eb m\u00ebnyr\u00eb q\u00eb s\u00eb bashku me ikonat t\u00eb formonin nj\u00eb t\u00ebr\u00ebsi, nj\u00eb paraqitje t\u00eb plot\u00eb t\u00eb Shkrimit t\u00eb Shenjt\u00eb n\u00eb gdhendje.<\/p>\n\n\n Ajo q\u00eb e b\u00ebn ikonostasin unik dhe t\u00eb pap\u00ebrs\u00ebritsh\u00ebm \u00ebsht\u00eb p\u00ebrdorimi i figur\u00ebs njer\u00ebzore. K\u00ebtu gdhend\u00ebsit mijak\u00eb treguan t\u00eb gjith\u00eb mjesht\u00ebrin\u00eb e tyre, duke vendosur, n\u00eb nj\u00eb hap\u00ebsir\u00eb relativisht t\u00eb vog\u00ebl, nj\u00eb num\u00ebr t\u00eb konsideruesh\u00ebm skenash nga Dhiata e Vjet\u00ebr dhe e Re. K\u00ebto skena paraqiten n\u00eb at\u00eb m\u00ebnyr\u00eb q\u00eb drama e gjith\u00eb situat\u00ebs t\u00eb na p\u00ebrcillet, sikur t\u00eb jet\u00eb e gjall\u00eb dhe reale, sikur po ndodh para syve tan\u00eb. <\/p>\n\n\n D\u00ebrrasat e gdhendura drejtk\u00ebndore n\u00ebn ikonat e fronit jan\u00eb pjesa m\u00eb e bukur e ikonostasit n\u00eb Bigorski. K\u00ebto d\u00ebrrasa v\u00ebrtetojn\u00eb virtuozitetin e gdhend\u00ebsve mijak\u00eb, paarritshm\u00ebrin\u00eb e tyre n\u00eb gdhendje. K\u00ebtu, n\u00eb k\u00ebt\u00eb zon\u00eb, p\u00ebrfaq\u00ebsohen m\u00eb shum\u00eb se pes\u00ebqind figura njer\u00ebzore dhe rreth dyqind figura kafsh\u00ebsh.<\/p><\/blockquote>\n\n\n\n Brend\u00ebsia e kish\u00ebs s\u00eb manastirit \u00ebsht\u00eb plot\u00ebsuar edhe me dy ul\u00ebse: t\u00eb peshkopit dhe t\u00eb abatit. T\u00eb dy ul\u00ebset jan\u00eb vep\u00ebr e t\u00eb mjesht\u00ebrve t\u00eb nj\u00ebjt\u00eb – drugdhend\u00ebs, q\u00eb kan\u00eb punuar ikonostasin. Ul\u00ebsja e peshkopit \u00ebsht\u00eb vendosur n\u00eb mes t\u00eb kish\u00ebs, pran\u00eb shtyll\u00ebs s\u00eb djatht\u00eb, p\u00ebrball\u00eb altarit. Q\u00eb nga periudhat m\u00eb t\u00eb hershme t\u00eb krishterimit, ka pasur nj\u00eb tendenc\u00eb q\u00eb ajo t\u00eb jet\u00eb e pasuruar me nj\u00eb dekor sa m\u00eb bukur. E till\u00eb ishte d\u00ebshira e abatit Arsenij, k\u00ebshtu q\u00eb ul\u00ebsja \u00ebsht\u00eb zbukuruar shum\u00eb me figura t\u00eb dy dhjak\u00ebve, dhe n\u00eb fund, n\u00eb baz\u00ebn e ul\u00ebses, shtrihen dy luan\u00eb me nofulla t\u00eb hapura. Ata gjithmon\u00eb jan\u00eb n\u00ebn k\u00ebmb\u00ebt e Zotit, i Cili do t\u00eb shkat\u00ebrroj\u00eb armikun. Mbi sediljen e ul\u00ebses, n\u00eb brend\u00ebsin\u00eb e saj, \u00ebsht\u00eb nj\u00eb ikon\u00eb q\u00eb paraqet Jezu Krishtin t\u00eb ulur n\u00eb nj\u00eb fron. Nd\u00ebrsa ul\u00ebsja e abatit ka nj\u00eb dekorim me gdhendje t\u00eb nj\u00ebjt\u00eb me at\u00eb t\u00eb peshkopit, por ndryshe nga ajo, mbi ul\u00ebsen \u00ebsht\u00eb vendosur nj\u00eb ikon\u00eb e N\u00ebn\u00ebs s\u00eb Zotit me Krishtin, dhe p\u00ebrball\u00eb tyre \u00ebsht\u00eb paraqitur Sh\u00ebn Gjon Pararend\u00ebsi. Vet\u00eb abati Arsenij \u00ebsht\u00eb paraqitur k\u00ebtu, n\u00eb nj\u00eb pozicion t\u00eb p\u00ebrkulur drejt tyre, me nj\u00eb harkore n\u00eb duar.<\/p>\n\n\n\n P\u00ebr sa u p\u00ebrket nd\u00ebrtesave t\u00eb manastirit, k\u00ebtu arkitektura ka kaluar n\u00ebp\u00ebr disa ndryshime. Konaqet e manastirit p\u00ebrb\u00ebheshin nga disa nd\u00ebrtesa madh\u00ebshtore. Kompleksi i nd\u00ebrtesave t\u00eb konakut monastik, i vendosur menj\u00ebher\u00eb pran\u00eb kish\u00ebs, i njohur si Pallati i Sip\u00ebrm, \u00ebsht\u00eb nd\u00ebrtuar n\u00eb vitin 1814 dhe \u00ebsht\u00eb unik n\u00eb arkitektur\u00ebn e tij jet\u00ebshkruese. Pjesa m\u00eb mbres\u00ebl\u00ebn\u00ebse, q\u00eb i jep frym\u00eb t\u00eb gjith\u00eb konakut, \u00ebsht\u00eb varanda e nd\u00ebrtuar me mjesht\u00ebri, e cila lidh dy katet e konakut me shkall\u00eb t\u00eb nxjerra nga jasht\u00eb. Kati p\u00ebrdhes\u00eb fillimisht p\u00ebrb\u00ebhej nga ambientet q\u00eb i sh\u00ebrbenin ekonomis\u00eb s\u00eb manastirit (prodhimi i ka\u00e7kavallit, djathit etj.). M\u00eb von\u00eb, ato u shnd\u00ebrruan n\u00eb depo. N\u00eb t\u00eb dy katet rradhiten qelit\u00eb e manastirit dhe verandat e bollshme. P\u00ebrve\u00e7 k\u00ebsaj, ka nj\u00eb dhom\u00eb t\u00eb p\u00ebrbashk\u00ebt p\u00ebr murgjit – sinodikon, hap\u00ebsira t\u00eb arkiv\u00ebs, ordinanc\u00eb stomatologjike dhe hap\u00ebsira t\u00eb tjera ndihm\u00ebse.<\/p>\n\n\n\n Pallati i Sip\u00ebrm u nd\u00ebrtua n\u00eb 1814. dhe \u00ebsht\u00eb unik n\u00eb arkitektur\u00ebn e tij jet\u00ebp\u00ebrshkruese. Pjesa m\u00eb mbres\u00ebl\u00ebn\u00ebse, q\u00eb i jep frym\u00eb t\u00eb gjith\u00eb konakut, \u00ebsht\u00eb veranda e nd\u00ebrtuar me mjesht\u00ebri, e cila lidh dy katet e konakut me shkall\u00eb t\u00eb nxjerra nga jasht\u00eb.<\/p><\/blockquote>\n\n\n Nj\u00eb shenj\u00eb e ve\u00e7ant\u00eb dhe mbres\u00ebl\u00ebn\u00ebse n\u00eb katin e tret\u00eb t\u00eb konakut l\u00eb dhoma e dikurshme e abatit dhe dhoma e peshkopit, tashm\u00eb t\u00eb kthyera n\u00eb zyr\u00eb dhe arkiv\u00eb manastiri, me struktur\u00ebn e tyre specifike t\u00eb erkerit. K\u00ebshtu i gjith\u00eb konaku, fal\u00eb arkitektur\u00ebs s\u00eb tij, unike n\u00eb k\u00ebt\u00eb zon\u00eb, t\u00eb rr\u00ebmben me hijeshin\u00eb e tij arkaike, e cila i ngroh zemr\u00ebn adhuruesit, duke i ngjallur nostalgji p\u00ebr t\u00eb kaluar\u00ebn dhe d\u00ebshir\u00ebn p\u00ebr lutje e falenderim ndaj Zotit.<\/p>\n\n\n\n N\u00eb veriper\u00ebndim t\u00eb kish\u00ebs ndodhet konaku me dhoma ngr\u00ebnie, e cila \u00ebsht\u00eb nd\u00ebrtuar nga viti 1820 deri n\u00eb vitin 1825. K\u00ebtu ndodhet dhoma e ngr\u00ebnies p\u00ebr burra dhe sinodikoni i mysafir\u00ebve, dhe menj\u00ebher\u00eb posht\u00eb tyre jan\u00eb t\u00eb ashtuquajturat dhomat e ngr\u00ebnies p\u00ebr gra dhe dhoma e pritjes arkondarike. Para zjarrit tragjik, dhoma e dikurshme e ngr\u00ebnies p\u00ebr gra u shnd\u00ebrrua n\u00eb nj\u00eb thesar t\u00eb pasur manastiri, ku gjenden ikona t\u00eb rralla t\u00eb shekujve XVII, XVIII dhe XIX, objekte t\u00eb lashta kishtare, fragmente gdhendjesh, rroba t\u00eb vjetra adhurimi, kryqe t\u00eb vjet\u00ebr dhe sende t\u00eb tjera me vlera shpirt\u00ebrore, historike e kulturore. Tani po restaurohet dhe po shnd\u00ebrrohet n\u00eb nj\u00eb sinodikon p\u00ebr tubime m\u00eb t\u00eb m\u00ebdha.<\/p>\n\n\n N\u00eb k\u00ebt\u00eb pjes\u00eb t\u00eb konakut, me ambientin e tij t\u00eb brendsh\u00ebm autentik, m\u00eb s\u00eb shumti l\u00ebn\u00eb p\u00ebrshtypje dhoma ngr\u00ebnies p\u00ebr burra, sinodikoni i madh dhe dhoma e pritjes arkondarike. Dhoma e ngr\u00ebnies s\u00eb burrave, deri n\u00eb zjarr, b\u00ebri p\u00ebrshtypje, si me madh\u00ebshtin\u00eb e saj, ashtu edhe me muret dhe tavanet e pikturuara bukur, t\u00eb zbukuruara me gdhendjen e famshme mijake. Tani ajo \u00ebsht\u00eb rikthyer plot\u00ebsisht n\u00eb pamjen e m\u00ebparshme autentike. Menj\u00ebher\u00eb pran\u00eb dhom\u00ebs s\u00eb ngr\u00ebnies ndodhet sinodikoni i madh, hap\u00ebsira zyrtare e manastirit, e cila p\u00ebrdoret p\u00ebr pritjet n\u00eb festat e m\u00ebdha monastike. Ajo \u00ebsht\u00eb e zbukuruar me skena nga historia e manastirit, vepra t\u00eb artist\u00ebve rus\u00eb Igor dhe Viktoria Egorovi nga Sh\u00ebn Petersburgu dhe nj\u00eb afresk, mbi t\u00eb cilin shk\u00eblqen Sh\u00ebn Gjon Pag\u00ebzori dhe Gjon Themeluesi, Kryepeshkopi i Ohrit, mbajn\u00eb manastirin n\u00eb duart e tyre. Nga ana tjet\u00ebr, arkondariku ka tavane t\u00eb bukura t\u00eb gdhendura – rozeta dhe detaje t\u00eb integruara, t\u00eb gdhendura n\u00eb mure. Dhoma arkondaike e pritjes \u00ebsht\u00eb e pasuruar me nj\u00eb koleksion portretesh t\u00eb abat\u00ebve t\u00eb vjet\u00ebr dhe klerik\u00ebve t\u00eb shquar t\u00eb manastirit. Ky koleksion u porosit nga abati aktual, Arkimandrit Parthenij, i cili n\u00eb shenj\u00eb dashurie dhe mir\u00ebnjohjeje ndaj paraardh\u00ebsve t\u00eb tij, d\u00ebshiroi t’i ruante personazhet e tyre p\u00ebr brezat e ardhsh\u00ebm, duke u dh\u00ebn\u00eb atyre nj\u00eb respekt t\u00eb denj\u00eb, atyre t\u00eb cil\u00ebt jet\u00ebn e tyre e vendos\u00ebn mbi themelet e k\u00ebtij manastiri. Pas zjarrit edhe arkondariku e mori fytyr\u00ebn e tij autentike, me \u00e7ka u rivendos koleksioni i portreteve.<\/p>\n\n\n\n Midis dhom\u00ebs s\u00eb ngr\u00ebnies dhe Pallatit t\u00eb Sip\u00ebrm ndodhet nj\u00eb kuzhin\u00eb manastiri, e lidhur me nj\u00eb furr\u00eb buke t\u00eb bollshme n\u00eb katin e posht\u00ebm, e cila i jep nj\u00eb t\u00ebr\u00ebsi funksionale konakut. Sot, kuzhina \u00ebsht\u00eb nj\u00eb hap\u00ebsir\u00eb plot\u00ebsisht e pajisur dhe funksionale q\u00eb plot\u00ebson n\u00eb m\u00ebnyr\u00eb m\u00eb t\u00eb p\u00ebrshtatshme k\u00ebrkesat p\u00ebr pritjen dhe ushqimin e nj\u00eb numri \u00e7do her\u00eb e m\u00eb t\u00eb madh besimtar\u00ebsh q\u00eb ndjekin rregullisht sh\u00ebrbimet e manastirit.<\/p>\n\n\n\n M\u00eb 30 shtator 2009, n\u00eb ver\u00ebn e Zotit, kur Kisha Ortodokse kremton kujtimin e d\u00ebshmor\u00ebve t\u00eb shenjt\u00eb Sofia, Besimi, Shpresa dhe Dashuria, Pallati i Sip\u00ebrm mori flak\u00eb, duke shkaktuar rr\u00ebnime t\u00eb m\u00ebdha. T\u00eb gjitha hap\u00ebsirat me inventarin e brendsh\u00ebm ishin djegur plot\u00ebsisht dhe e vetmja gj\u00eb q\u00eb mbet\u00ebn ishin muret prej guri n\u00eb manastir.<\/p><\/blockquote>\n\n\n\n Fal\u00eb sakrific\u00ebs s\u00eb madhe t\u00eb v\u00ebllaz\u00ebris\u00eb dhe besimtar\u00ebve t\u00eb pranish\u00ebm, ikonat dhe eksponate t\u00eb tjera nga thesari i manastirit u shp\u00ebtuan. Me angazhimin energjik dhe sakrifikues t\u00eb abatit, Arkimandrit Parthenij, dhe murgjeve – v\u00ebllez\u00ebrve t\u00eb tij sipas Krishtit si dhe me ndihm\u00ebn joegoiste t\u00eb besimtar\u00ebve, Pallati i Sip\u00ebrm u rivendos plot\u00ebsisht dhe rifitoi pamjen dhe shk\u00eblqimin autentik t\u00eb dikursh\u00ebm.<\/p>\n\n\n\n N\u00eb per\u00ebndim t\u00eb kish\u00ebs ndodhej konaku i djemve, i cili u nd\u00ebrtua n\u00eb vitin 1870, n\u00eb koh\u00ebn e abatit arkimandrit Mihail (1870 – 1894) dhe kishte p\u00ebr q\u00ebllim t\u00eb strehonte ndihm\u00ebsit e manastirit, t\u00eb ashtuquajturit fillestar\u00ebt. P\u00ebr shkak t\u00eb af\u00ebrsis\u00eb s\u00eb \u00e7ezmave, kati p\u00ebrdhes\u00eb i k\u00ebtij konaku sh\u00ebrbente si lavanderi, nd\u00ebrsa n\u00eb katin e par\u00eb kishte dhoma ndenjeje. Pamja e konakut me nj\u00eb streh\u00eb mjaft t\u00eb zgjatur, duke e b\u00ebr\u00eb konakun t\u00eb p\u00ebrshtatej n\u00eb m\u00ebnyr\u00eb t\u00eb p\u00ebrkryer me mjedisin e manastirit. Mir\u00ebpo, n\u00eb vitet 60 t\u00eb shekullit t\u00eb kaluar, p\u00ebr arsye t\u00eb panjohura, konaku u shemb dhe sot aty ndodhet nj\u00eb pllaj\u00eb e gjer\u00eb betoni, e cila i hap vizitorit pamjen e fshatrave piktoreske malore, t\u00eb shp\u00ebrndara n\u00eb shpatin p\u00ebrball\u00eb Radik\u00ebs. Menj\u00ebher\u00eb pas konakut s\u00eb dikursh\u00ebm t\u00eb fill\u00ebstar\u00ebve ndodhet Kulla e Sejmit, ku banonin rojet – sejmen\u00ebt e manastirit. Kati i ndenjes arrihej p\u00ebrmes shkall\u00ebve t\u00eb jashtme me nj\u00eb verand\u00eb t\u00eb vog\u00ebl t\u00eb spikatur dhe nj\u00eb streh\u00eb t\u00eb thell\u00eb, t\u00eb cilat edhe sot ringjallin pamjen e plot\u00eb t\u00eb kull\u00ebs. Sot, kati i fundit i kull\u00ebs \u00ebsht\u00eb shnd\u00ebrruar n\u00eb nj\u00eb kish\u00ebz t\u00eb vog\u00ebl kushtuar d\u00ebshmorit t\u00eb ri Georgij Kratovski, nd\u00ebrsa n\u00eb katin p\u00ebrdhes\u00eb \u00ebsht\u00eb pun\u00ebtoria e drugdhend\u00ebsve, nd\u00ebrsa n\u00eb bodrum \u00ebsht\u00eb vendosur qirimbajt\u00ebsi i manastirit.<\/p>\n\n\n Sot, kati i fundit i kull\u00ebs familjare \u00ebsht\u00eb shnd\u00ebrruar n\u00eb nj\u00eb kish\u00ebz t\u00eb vog\u00ebl kushtuar sh\u00ebnjtorit, d\u00ebshmorit t\u00eb ri Georgij Kratovski.<\/p><\/blockquote>\n\n\n\n Nj\u00eb tjet\u00ebr nd\u00ebrtes\u00eb mbres\u00ebl\u00ebn\u00ebse n\u00eb jug t\u00eb kish\u00ebs \u00ebsht\u00eb osuaria e manastirit, e b\u00ebr\u00eb me gur\u00eb t\u00eb gjelb\u00ebr t\u00eb gdhendur n\u00eb 1827. N\u00eb t\u00eb ndodhen kafkat e murgjve t\u00eb vdekur, t\u00eb cil\u00ebt gjat\u00eb periudh\u00ebs komuniste ishin fshehur n\u00eb tok\u00eb n\u00ebn dyshemen\u00eb e osuaris\u00eb. Me rivendosjen e jet\u00ebs monastike, menj\u00ebher\u00eb pas shugurimit t\u00eb tempullit t\u00eb manastirit, v\u00ebllaz\u00ebria Bigorski mrekullisht zbuloi kafkat, pik\u00ebrisht p\u00ebrball\u00eb dit\u00ebs kur Kisha e Shenjt\u00eb b\u00ebn lutje p\u00ebrkujtimore p\u00ebr t\u00eb ndjerit. Disa nga kafkat mbajn\u00eb emrin, vendin e lindjes dhe dit\u00ebn e vdekjes s\u00eb murgut.<\/p>\n\n\n\n Menj\u00ebher\u00eb mbi hyrjen e manastirit ndodhej nj\u00eb konak i quajtur Pallati i Posht\u00ebm, i cili, p\u00ebr fat t\u00eb keq, u dogj n\u00eb vitin 1912. Konaku i vjet\u00ebr, s\u00eb bashku me konaqet dhe nd\u00ebrtesat e tjera, p\u00ebrb\u00ebnin nj\u00eb t\u00ebr\u00ebsi t\u00eb mbyllur, tipike p\u00ebr familje manastiri t\u00eb tipit t\u00eb manastireve t\u00eb Sveta Gor\u00ebs. Konaku karakterizohej nga nj\u00eb trajtim i ve\u00e7ant\u00eb artistik i dyerve dhe tavaneve, t\u00eb cilat ishin t\u00eb ndryshme n\u00eb \u00e7do dhom\u00eb. K\u00ebto dhoma t\u00eb dekoruara shum\u00eb p\u00ebrdoreshin p\u00ebr t\u00eb pritur mysafir\u00eb. Palati i Posht\u00ebm ishte vep\u00ebr e mjesht\u00ebrve me p\u00ebrvoj\u00eb t\u00eb fsh. Drimkoli Llukov\u00eb – Strug\u00eb, t\u00eb njohur p\u00ebr shkatht\u00ebsin\u00eb n\u00eb p\u00ebrpunimin e gurit. N\u00ebp\u00ebr pjes\u00ebn e mesme t\u00eb katit p\u00ebrdhes\u00eb t\u00eb konakut, n\u00eb form\u00ebn e nj\u00eb arkade gjysm\u00ebrrethore, edhe sot kalon hyrja e manastirit, me \u00e7ezmat e njohura n\u00eb form\u00eb dragoi, si dekorim i ve\u00e7ant\u00eb i k\u00ebtij tempulli t\u00eb lasht\u00eb. N\u00eb vitin 2006, me pun\u00ebn e palodhshme t\u00eb abatit Parthenij dhe v\u00ebllaz\u00ebris\u00eb Bigorski, konaku jo vet\u00ebm q\u00eb u restaurua plot\u00ebsisht, por u nd\u00ebrtua edhe me nj\u00eb kat tjet\u00ebr, n\u00eb t\u00eb cilin u b\u00eb nj\u00eb kish\u00ebz e bukur kushtuar Shpalljes s\u00eb Shenjt\u00eb, \u00ebsht\u00eb nd\u00ebrtuar dhoma e peshkopit dhe abatit, verand\u00eb e brendshme, si dhe nj\u00eb verand\u00eb e gjer\u00eb e jashtme me pamje t\u00eb mahnitshme. Brend\u00ebsia e Pallatit t\u00eb Posht\u00ebm \u00ebsht\u00eb t\u00ebr\u00ebsisht n\u00eb frym\u00ebn e ambientit t\u00eb manastirit autentik.<\/p>\n <\/p>\n\n\n\n N\u00eb vitin 2006, me pun\u00ebn e palodhshme t\u00eb abatit Parthenij dhe v\u00ebllaz\u00ebris\u00eb Bigorski, konaku jo vet\u00ebm q\u00eb u restaurua plot\u00ebsisht, por u nd\u00ebrtua edhe me nj\u00eb kat tjet\u00ebr, n\u00eb t\u00eb cilin u b\u00eb nj\u00eb kish\u00ebz e bukur kushtuar Shpalljes s\u00eb Shenjt\u00eb, dhom\u00eb e peshkopit dhe abatit, verand\u00eb e mbyllur, si dhe nj\u00eb verand\u00eb e hapur e gjer\u00eb me pamje t\u00eb bukur t\u00eb tempullit dhe pjes\u00ebs tjet\u00ebr t\u00eb kompleksit t\u00eb manastirit.<\/p><\/blockquote>\n\n\n\n T\u00eb udh\u00ebhequr nga p\u00ebrpjekjet e tyre p\u00ebr t\u00eb pasuruar shk\u00eblqimin e tempullit t\u00eb lasht\u00eb Bigorski, si dhe p\u00ebr t\u00eb plot\u00ebsuar nevojat e qelive t\u00eb reja p\u00ebr v\u00ebllaz\u00ebrin\u00eb n\u00eb rritje, abati dhe v\u00ebllez\u00ebrit e k\u00ebsaj familjeje t\u00eb shenjt\u00eb iu p\u00ebrkushtuan nd\u00ebrtimit t\u00eb nj\u00eb konaku tjet\u00ebr monastik, t\u00eb quajtur ,,Pallati Lindor\u201d, me t\u00eb cilin manastiri u plot\u00ebsua t\u00ebr\u00ebsisht, duke ndjekur shembullin e manastireve t\u00eb Sveta Gor\u00ebs. P\u00ebr k\u00ebt\u00eb q\u00ebllim, n\u00eb vitin 2007 filloi nd\u00ebrtimi i nj\u00eb muri t\u00eb madh mbajt\u00ebs, i b\u00ebr\u00eb prej betoni me gjat\u00ebsi 80 m. Tashm\u00eb n\u00eb ver\u00ebn e vitit 2009 filloi nd\u00ebrtimi intensiv i konakut t\u00eb ri monastik, i cili p\u00ebrfundoi n\u00eb fund t\u00eb vitit 2010. Ky konak me arkitektur\u00ebn e tij t\u00eb bukur n\u00eb stilin maqedono-romak (bizantin), aq karakteristik p\u00ebr gjith\u00eb kompleksin e manastirit, p\u00ebr mrekulli plot\u00ebson dhe pasuron pamjen madh\u00ebshtore t\u00eb manastirit Bigorski. N\u00eb konakun e ri, p\u00ebrve\u00e7 qelive t\u00eb shumta monastike, ndodhet nj\u00eb kish\u00ebz e bukur kushtuar Sh\u00ebn Nikollaj Mirllikiski Mrekullib\u00ebr\u00ebsi, i pikturuar t\u00ebr\u00ebsisht n\u00eb stilin e piktur\u00ebs murale bizantine, bibliotek\u00eb dykat\u00ebshe Bigorski, me pamje t\u00eb ve\u00e7ant\u00eb arkaike, kulla (skel\u00eb) e manastirit, ku ndodhet nj\u00eb or\u00eb me 8 kambana, si dhe nj\u00eb studio pikture, arkiv\u00eb, dhoma e veranda druri, m\u00ebsojtore, dhom\u00eb e abatit dhe hap\u00ebsira t\u00eb tjera ndihm\u00ebse.<\/p>\n\n\n\n Pallati Lindor fsheh gjithashtu bibliotek\u00ebn mbres\u00ebl\u00ebn\u00ebse dykat\u00ebshe me brend\u00ebsin\u00eb e saj specifike dhe nj\u00eb pasuri prej mbi tridhjet\u00eb mij\u00eb librash t\u00eb lasht\u00eb dhe t\u00eb rinj, si dhe kapel\u00ebn e Sh\u00ebn Nikollaj Mirllikiski Mrekullib\u00ebr\u00ebsi. Nga ana jugore e Pallatit Lindor ngrihet nj\u00eb kull\u00eb e bukur me or\u00eb dhe me nj\u00eb piktur\u00eb manastiri n\u00eb krye.<\/p><\/blockquote>\n\n\n\n N\u00eb vitin 2008 n\u00eb pjes\u00ebn jugore t\u00eb oborrit t\u00eb gjer\u00eb t\u00eb manastirit, u nd\u00ebrtua nj\u00eb shishk\u00eb manastiri me hark (pag\u00ebzimore uji), me nj\u00eb pamje arkaike t\u00eb mrekullueshme, e cila p\u00ebrputhet n\u00eb m\u00ebnyr\u00eb harmonike n\u00eb ambientin e p\u00ebrgjithsh\u00ebm t\u00eb jasht\u00ebm t\u00eb familjes Bigorski. Harku i shishk\u00ebs \u00ebsht\u00eb pikturuar t\u00ebr\u00ebsisht n\u00eb frym\u00ebn e tradit\u00ebs s\u00eb piktur\u00ebs bizantine. Nd\u00ebr skenat q\u00eb z\u00ebn\u00eb vend n\u00eb afreske, shfaqja gjen vend me zbulimin e ikon\u00ebs s\u00eb mrekullueshme t\u00eb Sh\u00ebn Gjon Pag\u00ebzorit nga themeluesi i par\u00eb, i nderuari Gjoni i Dibr\u00ebs, si dhe disa skena nga jeta e Zotit ton\u00eb Jezu Krishtit q\u00eb kan\u00eb lidhshm\u00ebri me ujin, m\u00eb pas nj\u00eb shfaqje nga ,,Burimi Jet\u00ebsjell\u00ebs”, ,,Engj\u00eblli i K\u00ebshillit t\u00eb Madh”, Sh\u00ebn Gjon Pag\u00ebzori, Sh\u00ebn Kozma dhe Damjan, Sh\u00ebn Klementi dhe Naumi i Ohrit, Sh\u00ebn Gjeorgjij Fitimtari, Sh\u00ebn Dimitrij Paq\u00ebsori, Sh\u00ebn Nikollaj the Mrekullib\u00ebr\u00ebsi e k\u00ebshtu me radh\u00eb.<\/p>\n\n\n\n V\u00ebllaz\u00ebria e rip\u00ebrtrir\u00eb monastike, me ndihm\u00ebn e Zotit, jo vet\u00ebm q\u00eb arriti t\u00eb rikthej\u00eb shk\u00eblqimin e dikursh\u00ebm t\u00eb tempullit t\u00eb lasht\u00eb t\u00eb Bigorskit, por me shum\u00eb dashuri dhe zell u p\u00ebrpoq ta p\u00ebrmir\u00ebsoj\u00eb, pasuroj\u00eb dhe dekoroj\u00eb at\u00eb.<\/p>\n\n\n Nj\u00eb gjurm\u00eb e r\u00ebnd\u00ebsishme e jet\u00ebs monastike eremite n\u00eb af\u00ebrsi t\u00eb manastirit Bigorski \u00ebsht\u00eb vetmia, si dhe agiazma (burimi i ujit t\u00eb shenjt\u00eb), t\u00eb cilat ndodhen n\u00eb pyllin posht\u00eb manastirit. Lutjet e murgjve – asket\u00ebve i shenjt\u00ebruan k\u00ebto vende dhe e k\u00ebnaq\u00ebn aq shum\u00eb Zotin, saq\u00eb bekimi derdhet k\u00ebtu edhe sot p\u00ebrmes burimit t\u00eb ujit t\u00eb \u00ebmb\u00ebl n\u00eb agjiazm\u00eb. \u00c7do vit n\u00eb fest\u00ebn e s\u00eb Premtes s\u00eb mir\u00eb \u2013 Ballakllija, v\u00ebllaz\u00ebria dhe besimtar\u00ebt me nj\u00eb liti (lutje) solemne drejtohen nga manastiri kah agiazma, kushtuar t\u00eb Burimit Jet\u00ebsjell\u00ebs, ku shenjt\u00ebrohet uji dhe prej andej, p\u00ebrmes manastirit t\u00eb vog\u00eblt\u00eb Sh\u00ebn Serafim Sarovski, kthehen n\u00eb manastir, duke k\u00ebnduar k\u00ebng\u00eb hyjnore, t\u00eb ringjalljes.<\/p>","protected":false},"excerpt":{"rendered":" Katolikoni Bigorski (tempulli kryesor) Si n\u00eb \u00e7do manastir, i nd\u00ebrtuar sipas imazhit t\u00eb qytetit t\u00eb Zotit – Jerusalemit Qiellor, edhe k\u00ebtu n\u00eb Bigorski, vendin qendror e z\u00eb tempulli kryesor, i ashtuquajtur katolikon. \u00cbsht\u00eb nd\u00ebrtuar n\u00eb fund t\u00eb shekullit t\u00eb XVIII -t\u00eb, n\u00eb nj\u00eb stil arkitekturor t\u00eb ve\u00e7ant\u00eb, autokton, q\u00eb gjendet vet\u00ebm n\u00eb arkitektur\u00ebn Mijake gjat\u00eb<\/p>\n","protected":false},"author":1,"featured_media":100424,"parent":100330,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-bigorski.php","meta":{"_acf_changed":false,"wprm-recipe-roundup-name":"","wprm-recipe-roundup-description":"","ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-100422","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/bigorski.org.mk\/sq\/wp-json\/wp\/v2\/pages\/100422","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bigorski.org.mk\/sq\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bigorski.org.mk\/sq\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bigorski.org.mk\/sq\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bigorski.org.mk\/sq\/wp-json\/wp\/v2\/comments?post=100422"}],"version-history":[{"count":0,"href":"https:\/\/bigorski.org.mk\/sq\/wp-json\/wp\/v2\/pages\/100422\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/bigorski.org.mk\/sq\/wp-json\/wp\/v2\/pages\/100330"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bigorski.org.mk\/sq\/wp-json\/wp\/v2\/media\/100424"}],"wp:attachment":[{"href":"https:\/\/bigorski.org.mk\/sq\/wp-json\/wp\/v2\/media?parent=100422"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"https:\/\/bigorski.org.mk\/wp-content\/uploads\/2020\/10\/Hristos-Vsedrzhitel-kupola-na-Bigorski-Manastir.jpg\")
<\/figure>\n\n\n\n![\"\"](\"https:\/\/bigorski.org.mk\/wp-content\/uploads\/2020\/10\/Baldahin-vo-oltarot-na-Bigorski-Manastir.jpg\")
![\"\"](\"https:\/\/bigorski.org.mk\/wp-content\/uploads\/2020\/10\/Ikonostasot-vo-crkvata.jpg\")
![\"\"](\"https:\/\/bigorski.org.mk\/wp-content\/uploads\/2020\/10\/Motiv-od-ikonostasot-Tajnata-vechera.jpg\")
![\"\"](\"https:\/\/bigorski.org.mk\/wp-content\/uploads\/2020\/10\/Vladichkiot-tron-stol-1.jpg\")
![\"\"](\"https:\/\/bigorski.org.mk\/wp-content\/uploads\/2020\/10\/Igumenskiot-tron-stol-1.jpg\")
Konaqet e manastirit<\/h2>\n
Pallati i Sip\u00ebrm<\/h3>\n\n\n
![\"\u0422\u0435\u043a\u0441\u0442](\"https:\/\/bigorski.org.mk\/wp-content\/uploads\/2016\/12\/8-1.jpg\")
![\"\"](\"https:\/\/bigorski.org.mk\/wp-content\/uploads\/2020\/10\/Kancelarijata-i-chardacite.jpg\")
<\/figure><\/div>\n\n\n![\"\"](\"https:\/\/bigorski.org.mk\/wp-content\/uploads\/2020\/10\/Golemata-trpezarija.jpg\")
![\"\"](\"https:\/\/bigorski.org.mk\/wp-content\/uploads\/2020\/10\/Maliot-sinodikon.jpg\")
![\"\"](\"https:\/\/bigorski.org.mk\/wp-content\/uploads\/2020\/10\/Arhondarikot.jpg\")
![\"\"](\"https:\/\/bigorski.org.mk\/wp-content\/uploads\/2016\/12\/DSC_9687.jpg\")
![\"\"](\"https:\/\/bigorski.org.mk\/wp-content\/uploads\/2016\/12\/DSC_9701.jpg\")
Kulla e Sejmenit<\/h3>\n
![\"\"](\"https:\/\/bigorski.org.mk\/wp-content\/uploads\/2020\/10\/Sejmenska-kula.jpg\")
![\"\"](\"https:\/\/bigorski.org.mk\/wp-content\/uploads\/2020\/10\/Kukja-za-momoci.jpg\")
Osuaria – dhoma p\u00ebr ruajtjen e eshtrave t\u00eb t\u00eb ndjer\u00ebve<\/h3>\n
![\"\"](\"https:\/\/bigorski.org.mk\/wp-content\/uploads\/2020\/10\/Vnatreshnosta-na-kosturnicata.jpg\")
Pallati i Posht\u00ebm<\/h3>\n
![\"\"](\"https:\/\/bigorski.org.mk\/wp-content\/uploads\/2016\/12\/DSC_0403.jpg\")
![\"\"](\"https:\/\/bigorski.org.mk\/wp-content\/uploads\/2020\/10\/Dolni-palat-so-paraklis-na-Blagoveshtenie-i-dvorot-od-manastirot.jpg\")
Pallati Lindor<\/h3>\n\n\n
![\"\"](\"https:\/\/bigorski.org.mk\/wp-content\/uploads\/2020\/10\/Istochen-Palat.jpg\")
Shishka (Pag\u00ebzimore uji)<\/h3>\n
![\"\"](\"https:\/\/bigorski.org.mk\/wp-content\/uploads\/2020\/10\/Manastirskata-fijala.jpg\")
Agiazma Bigorski (uji sh\u00ebrues)<\/h3>\n
![\"Agiazma\"](\"https:\/\/bigorski.org.mk\/wp-content\/uploads\/2016\/12\/Picture-382.jpg\")
<\/a>