{"id":100429,"date":"2016-12-12T18:17:44","date_gmt":"2016-12-12T17:17:44","guid":{"rendered":"https:\/\/bigorski.org.mk\/?page_id=100429"},"modified":"2022-08-27T22:03:49","modified_gmt":"2022-08-27T21:03:49","slug":"shenjtore","status":"publish","type":"page","link":"https:\/\/bigorski.org.mk\/sq\/per-manastirin\/shenjtore\/","title":{"rendered":"Shenjtor\u00eb"},"content":{"rendered":"

Ikonostasi<\/h2>\n

Dekorimi dhe rregullimi i brendsh\u00ebm i kish\u00ebs filloi nga Abati Arsenij n\u00eb vitin 1810. Nga fundi i jet\u00ebs s\u00eb tij, Abati Arsenij do t\u00eb b\u00ebhet meritori m\u00eb i madh p\u00ebr pun\u00ebsimin e piktor\u00ebve dhe drugdhend\u00ebsve t\u00eb ikonave.<\/p>\n

Dekorimi m\u00eb i bukur n\u00eb kish\u00eb dhe m\u00eb i famshmi p\u00ebr k\u00ebt\u00eb tempull, \u00ebsht\u00eb padyshim i bukuri dhe i pap\u00ebrs\u00ebritsh\u00ebm n\u00eb llojin e tij n\u00eb Ortodoksi – ikonostasi, kryevep\u00ebr e gdhend\u00ebsve mijak\u00eb, t\u00eb cil\u00ebt p\u00ebr shkak t\u00eb aft\u00ebsive t\u00eb tyre n\u00eb punimin e drurit kan\u00eb mbetur t\u00eb patejkaluesh\u00ebm deri m\u00eb sot. K\u00ebta jan\u00eb t\u00eb famshmit Petre Fillipovski – Garkata nga fsh. Gari, me ekip\u00ebn e tij dhe Makarij F\u00ebr\u00e7kovski nga Gali\u00e7niku. Ata e p\u00ebrfunduan k\u00ebt\u00eb vep\u00ebr monumentale n\u00eb nj\u00eb koh\u00eb \u00e7udit\u00ebrisht t\u00eb shkurt\u00ebr, nga viti 1830 deri n\u00eb vitin 1835.<\/p>\n

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P\u00ebr nga arkitektura e tij, ai \u00ebsht\u00eb i ngjash\u00ebm me ikonostasin dykat\u00ebsh, t\u00eb cilin e gjejm\u00eb fillimisht n\u00eb malin Athos (Sveta Gora), e m\u00eb pas n\u00eb t\u00eb gjith\u00eb Gadishullin Ballkanik. D\u00ebshira e Arsenit ishte q\u00eb ikonostasi i manastirit t\u00eb ishte nj\u00eb nga m\u00eb t\u00eb bukurit deri at\u00ebher\u00eb. Ndaj ai vendosi t\u00eb angazhoj\u00eb gdhend\u00ebsit m\u00eb t\u00eb mir\u00eb mijak\u00eb dhe piktor\u00ebt m\u00eb t\u00eb mir\u00eb t\u00eb asaj kohe, gj\u00eb q\u00eb kontribuoi q\u00eb ikonostasi t’i kaloj\u00eb t\u00eb gjith\u00eb t\u00eb tjer\u00ebt me ve\u00e7antin\u00eb e tij. K\u00ebt\u00eb e v\u00ebrteton edhe Damjan Arsov, banor i dikursh\u00ebm i Dibr\u00ebs, i cili n\u00eb vitin 1895 deklaroi se si ikonostasi n\u00eb manastirin e Bigorskit nuk ekzistonte as n\u00eb malin Athos (Sveta Gora), t\u00eb cil\u00ebn e kishe ecur t\u00eb gjith\u00ebn.<\/p>\n

Ajo q\u00eb e b\u00ebn ikonostasin unik dhe t\u00eb pap\u00ebrs\u00ebritsh\u00ebm \u00ebsht\u00eb p\u00ebrdorimi i figur\u00ebs njer\u00ebzore. K\u00ebtu gdhend\u00ebsit mijak\u00eb treguan t\u00eb gjith\u00eb mjesht\u00ebrin\u00eb e tyre, duke vendosur, n\u00eb nj\u00eb hap\u00ebsir\u00eb relativisht t\u00eb vog\u00ebl, nj\u00eb num\u00ebr t\u00eb konsideruesh\u00ebm skenash nga Dhiata e Vjet\u00ebr dhe e Re. K\u00ebto skena paraqiten n\u00eb at\u00eb m\u00ebnyr\u00eb q\u00eb drama e gjith\u00eb situat\u00ebs t\u00eb na p\u00ebrcillet, sikur t\u00eb jet\u00eb e gjall\u00eb dhe reale, sikur po ndodh para syve tan\u00eb.<\/p><\/blockquote>\n

P\u00ebrve\u00e7 figur\u00ebs njer\u00ebzore, n\u00eb dekorimin e ikonostasit ka kafsh\u00eb t\u00eb ndryshme, si dhe motive lulesh. E gjith\u00eb ajo nd\u00ebrthurje realizohet n\u00eb nj\u00eb harmoni t\u00eb k\u00ebndshme, p\u00ebrmes vizatimit – planit t\u00eb p\u00ebrgatitur nga gdhend\u00ebsit mijak\u00eb. Durimi i tyre p\u00ebr t\u00eb g\u00ebrmuar thell\u00eb drurin dhe p\u00ebr t\u00eb gdhendur kaq shum\u00eb skena nga Shkrimet e Shenjta n\u00eb nj\u00eb hap\u00ebsir\u00eb kaq t\u00eb vog\u00ebl ngjall admirim t\u00eb v\u00ebrtet\u00eb te njer\u00ebzit. Ajo q\u00eb krijuan k\u00ebta gdhend\u00ebs nuk mund t\u00eb gjendet as n\u00eb malin Athos (Sveta Gora), as te gdhend\u00ebsit epirot\u00eb, e t\u00eb pakt\u00ebn te gdhend\u00ebsit nga shkollat ballkanike t\u00eb gdhendjes.<\/p>\n

Ikonostasi \u00ebsht\u00eb p\u00ebrshtatur me p\u00ebrmasat e kish\u00ebs. Prandaj ka tre rreshta ikonash, q\u00eb \u00ebsht\u00eb nj\u00eb rast i rrall\u00eb, sepse ikonostasi me vet\u00ebm dy rreshta ikonash \u00ebsht\u00eb m\u00eb i zakonsh\u00ebm. Ajo i ngjan ikonostasit t\u00eb malit Athos t\u00eb shekullit t\u00eb XIX -t\u00eb, me dyer mbret\u00ebrore t\u00eb vendosura n\u00eb qend\u00ebr dhe dy hyrje an\u00ebsore, n\u00eb an\u00ebn jugore dhe veriore. Dyert mbret\u00ebrore jan\u00eb me dy krah\u00eb dhe t\u00eb mbushura mjaft me gdhendje dhe piktur\u00eb ikonash me nj\u00eb paraqitje t\u00eb “Shpalljes”. P\u00ebrve\u00e7 “Shpalljes”, mjeshtrit- gdhend\u00ebsit b\u00ebn\u00eb nj\u00eb kompozim tjet\u00ebr nga jeta e Krishtit, pastaj nj\u00eb nga mrekullit\u00eb e tij – Sh\u00ebrimi i t\u00eb verb\u00ebrve, si dhe “D\u00ebbimi i tregtar\u00ebve nga tempulli”.<\/p>\n

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D\u00ebrrasat e gdhendura drejtk\u00ebndore n\u00ebn ikonat e fronit jan\u00eb pjesa m\u00eb e bukur e ikonostasit n\u00eb Bigorski. K\u00ebto d\u00ebrrasa v\u00ebrtetojn\u00eb virtuozitetin e gdhend\u00ebsve mijak\u00eb, paarritshm\u00ebrin\u00eb e tyre n\u00eb gdhendje. K\u00ebtu, n\u00eb k\u00ebt\u00eb zon\u00eb, ku p\u00ebrfaq\u00ebsohen m\u00eb shum\u00eb se pes\u00ebqind figura njer\u00ebzore dhe rreth dyqind kafsh\u00eb, jan\u00eb paraqitur n\u00eb m\u00ebnyr\u00eb ilustruese Dhiata e Vjet\u00ebr dhe e Re. Nga Dhiata e Vjet\u00ebr ve\u00e7ohen: “Viktima e Abrahamit”, “M\u00ebkati i par\u00eb” dhe “P\u00ebrndjekja e Ev\u00ebs dhe Adamit nga Parajsa”, “Vrasja e Kainit” e t\u00eb tjera.<\/p>\n

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Dhiata e Re fillon me d\u00ebrras\u00ebn e dyt\u00eb, me jet\u00ebn e Sh\u00ebn Maris\u00eb. Gdhend\u00ebsit mijak\u00eb nga fisi i Petre Fillipovskit q\u00eb punonin ikonostasin, sikur donin t\u00eb shprehnin gjith\u00eb dashamir\u00ebsin\u00eb dhe respektin p\u00ebr Sh\u00ebn Marin\u00eb – N\u00ebn\u00ebn e Zotit, duke b\u00ebr\u00eb kat\u00ebrmb\u00ebdhjet\u00eb skena nga jeta e saj. N\u00eb d\u00ebrras\u00ebn e dyt\u00eb, vendin qendror e z\u00eb Sh\u00ebn Maria me Krishtin. N\u00eb t\u00eb majt\u00eb t\u00eb tij \u00ebsht\u00eb “Shpallja”, dhe n\u00eb an\u00ebn e djatht\u00eb karakteristike \u00ebsht\u00eb “P\u00ebrulja e tre mbret\u00ebrve lindor\u00eb”, t\u00eb cil\u00ebt sjellin dhurata dhe p\u00ebrulen para Sh\u00ebn Maris\u00eb. K\u00ebtu shfaqet mjaft mbres\u00ebl\u00ebn\u00ebse edhe “Ikja e Sh\u00ebn Maris\u00eb n\u00eb Egjipt”. N\u00eb shprehjen e personave nga kjo sken\u00eb, p\u00ebrcillet elementi psikologjik n\u00eb dram\u00ebn q\u00eb ndodhi tek f\u00ebmij\u00ebt e Betlehemit, t\u00eb therur me urdh\u00ebr t\u00eb mbretit Herod.<\/p>\n

D\u00ebrrasat e m\u00ebposhtme tregojn\u00eb jet\u00ebn dhe vuajtjet e Zotit ton\u00eb Jezu Krishtit. ,,Darka e fsheht\u00eb” p\u00ebrfaq\u00ebsohet n\u00eb qend\u00ebr, “Tradh\u00ebtia hebreje” dhe “Lutja n\u00eb kopshtin e Gjetsemanit” jan\u00eb n\u00eb t\u00eb majt\u00eb, dhe kompozimet vazhdojn\u00eb n\u00eb gjysm\u00ebn e djatht\u00eb: “Rruga p\u00ebr n\u00eb Golgot\u00eb”, “Thoma i pabes\u00eb”, “Krishti para Pilatit” dhe t\u00eb tjer\u00eb.<\/p>\n

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N\u00ebn ikon\u00ebn e fronit t\u00eb Sh\u00ebn Gjon Pag\u00ebzorit paraqiten disa skena nga jeta e tij. K\u00ebtu shfaqen “Lindja e Sh\u00ebn Gjonit”, “Dit\u00eblindja e Herodit”, “Vall\u00ebzimi i Sallomis\u00eb”, etj., nd\u00ebr t\u00eb cilat m\u00eb bukur \u00ebsht\u00eb paraqitur “Prerja e kok\u00ebs s\u00eb Pararend\u00ebsit”.<\/p>\n

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N\u00eb hap\u00ebsir\u00ebn n\u00ebn ikon\u00ebn e fronit “K\u00ebshilli i apostujve” gdhend\u00ebsit, n\u00eb m\u00ebnyr\u00ebn e tyre, shfaq\u00ebn t\u00eb nj\u00ebjt\u00ebn ikon\u00eb n\u00eb gdhendje. K\u00ebtu Krishti paraqitet midis apostujve me nj\u00eb model t\u00eb kish\u00ebs, t\u00eb cilin e mbajn\u00eb dy engjuj, me apostujt Sh\u00ebn Pjetri dhe Pavle n\u00eb plan t\u00eb par\u00eb, si themelues t\u00eb Kish\u00ebs. N\u00eb fakt, t\u00eb gjitha ikonat kan\u00eb paraqitjet e tyre paralele n\u00eb gdhendje, t\u00eb cilat ndodhen pik\u00ebrisht posht\u00eb tyre.<\/p>\n

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Pjesa e sip\u00ebrme e ikonostasit \u00ebsht\u00eb nj\u00eb nga m\u00eb mbres\u00ebl\u00ebn\u00ebset dhe \u00ebsht\u00eb zbukuruar me nj\u00eb kryq t\u00eb madh nga Kryq\u00ebzimi i Krishtit dhe pjes\u00ebt shoq\u00ebruese t\u00eb tij. Nj\u00eb kryq i till\u00eb \u00ebsht\u00eb i zakonsh\u00ebm n\u00eb ikonostasin e gdhendur n\u00eb periudh\u00ebn pasbizantine, ve\u00e7an\u00ebrisht n\u00eb shekujt XVII, XVIII dhe XIX dhe \u00ebsht\u00eb simbol i besimit, shp\u00ebtimit dhe fitores. Dragonjt\u00eb e t\u00eb cilat paraqiten posht\u00eb kryqit simbolizojn\u00eb t\u00eb keqen e mundur nga Krishti.<\/p>\n

Ikona mrekullib\u00ebr\u00ebse<\/h2>\n
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Ikona mrekullib\u00ebr\u00ebse e Bigorskit<\/figcaption><\/figure>\n

Nga ikona, nga fytyra e shenjtorit q\u00eb shfaqet n\u00eb t\u00eb, rrjedh si bekim dhe dhurat\u00eb e Shpirtit t\u00eb Shenjt\u00eb, nj\u00eb drit\u00eb e pakrijuar dhe e pakuptimt\u00eb, q\u00eb sjell paqe, qet\u00ebsi dhe g\u00ebzim. T\u00eb gjitha k\u00ebto do t’i ndjej\u00eb njeriu, kur t\u00eb q\u00ebndroj\u00eb para ikon\u00ebs mrekullib\u00ebr\u00ebse t\u00eb Pararend\u00ebsit, e cila me dinjitet t\u00eb qet\u00eb pret t\u00eb gjith\u00eb besimtar\u00ebt n\u00eb manastirin e Bigorskit. E rrezatuar, me mentesh\u00eb argjendi, shk\u00eblqyese dhe e stolisur me dhurata falenderimi, p\u00ebr shkak t\u00eb mrekullive t\u00eb shumta, ikona, si nj\u00eb burim i pashtersh\u00ebm, derdh bekim q\u00eb b\u00ebn mrekulli. Prandaj murgjit q\u00eb jetuan k\u00ebtu n\u00eb shekullin XIX, si d\u00ebshmi, mentesh\u00ebs s\u00eb ikon\u00ebs i shtuan nj\u00eb dor\u00eb t\u00eb tret\u00eb, n\u00eb kujtim t\u00eb mrekullive q\u00eb kryen Pag\u00ebzori n\u00ebp\u00ebrmjet saj.<\/p>\n

Nj\u00eb nga mrekullit\u00eb \u00ebsht\u00eb m\u00ebnyra se si ikona iu zbulua themeluesit. Sipas legjend\u00ebs s\u00eb manastirit, ajo thjesht rinte pezull n\u00eb aj\u00ebr mbi burimin e ujit, n\u00eb vend t\u00eb t\u00eb cilit sot ndodhen tre \u00e7ezmat posht\u00eb kish\u00ebs. Ishte gjithashtu nj\u00eb mrekulli q\u00eb ajo zhdukej n\u00eb koh\u00ebt e trazuara dhe t\u00eb v\u00ebshtira q\u00eb kalonte manastiri. Bekimi q\u00eb mbante ikona n\u00eb vetvete, e ruajti at\u00eb q\u00eb mos t\u00eb humbiste dhe nuk e la t\u00eb shkat\u00ebrrohej, n\u00eb shkretimet e shumta t\u00eb manastirit. Ajo rishfaqej gjithmon\u00eb, duke d\u00ebshmuar p\u00ebr shpirtin e gjall\u00eb dhe t\u00eb p\u00ebrjetsh\u00ebm t\u00eb manastirit, i cili rilindi, si nj\u00eb feniks, nga rr\u00ebnojat e tij.<\/p>\n

K\u00ebshtu, q\u00eb n\u00eb fillim, ikona nuk pushoi s\u00eb b\u00ebri mrekulli. Turma t\u00eb shumta, q\u00eb q\u00ebndruan para saj me besim dhe iu lut\u00ebn sinqerisht Pag\u00ebzorit, u d\u00ebgjuan, u ngush\u00eblluan dhe u sh\u00ebruan nga s\u00ebmundjet. Pararend\u00ebsi, me an\u00eb t\u00eb ikon\u00ebs s\u00eb tij, u erdhi n\u00eb ndihm\u00eb t\u00eb gjith\u00ebve: t\u00eb moshuar e t\u00eb rinj, t\u00eb s\u00ebmur\u00eb e t\u00eb sh\u00ebndosh\u00eb, ortodoks\u00eb e besimtar\u00ebve t\u00eb feve tjera. Ashtu si\u00e7 po zbritnin mrekullit\u00eb, ashtu zbritnin dhuratat p\u00ebrpara ikon\u00ebs. \u00c7do dhurat\u00eb fsheh nj\u00eb histori t\u00eb v\u00ebrtet\u00eb pas saj. Medaljone t\u00eb shumta argjendi n\u00eb form\u00ebn e foshnjeve d\u00ebshmojn\u00eb se Sh\u00ebn Gjoni b\u00ebri t\u00eb lumtur shum\u00eb prind\u00ebr pa f\u00ebmij\u00eb duke u dh\u00ebn\u00eb atyre f\u00ebmij\u00eb.<\/p>\n

Ashtu si mentesha e argjend t\u00eb mbulon ikon\u00ebn, k\u00ebshtu edhe Sh\u00ebn Gjoni fshehu prej nesh shum\u00eb nga mrekullit\u00eb e tij t\u00eb shumta, duke l\u00ebn\u00eb me qet\u00ebsi vet\u00ebm nj\u00eb pjes\u00eb, t\u00eb cil\u00ebn v\u00ebllaz\u00ebria e re u p\u00ebrpoq ta vinte re dhe ta ruante, si nj\u00eb d\u00ebshmi t\u00eb shenjt\u00ebris\u00eb s\u00eb ikon\u00ebs.<\/p>\n

Ikona E denj\u00eb<\/em><\/h2>\n
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Ikona ,,E denj\u00eb\u201d<\/figcaption><\/figure>\n

N\u00eb an\u00ebn veriore t\u00eb soleas (vendi para ikonastasit) e p\u00ebrk\u00ebdhelur duket fytyra e \u00ebmb\u00ebl e Sh\u00ebn Maris\u00eb. Kjo ikon\u00eb e saj \u00ebsht\u00eb nj\u00eb kopje besnike e ikon\u00ebs “E denj\u00eb”, sh\u00ebnjtorja m\u00eb e madhe e Malit Athos (Sveta Gora). Me d\u00ebshir\u00eb dhe angazhim t\u00eb ve\u00e7ant\u00eb t\u00eb Arkimandrit Parthenij, n\u00eb vitin 2009 u b\u00eb dhe u soll n\u00eb manastir pasi u bekua te origjinali n\u00eb Malin Athos.<\/p>\n

Reliket<\/h2>\n

Bekimi i kish\u00ebs plot\u00ebsohet nga reliket e mrekullueshme t\u00eb banor\u00ebve t\u00eb shumt\u00eb t\u00eb Qytetit Qiellor, t\u00eb cilat ndodhen n\u00eb ark\u00ebn e madhe, t\u00eb nd\u00ebrtuar n\u00eb 1833, si dhe n\u00eb altarin e tempullit. Arka p\u00ebr relike ishte b\u00ebr\u00eb me porosi nga Abati Arsenij dhe \u00ebsht\u00eb vep\u00ebr e p\u00ebrbashk\u00ebt e nj\u00eb piktori, gdhend\u00ebsi dhe argjendari. N\u00eb kapakun n\u00eb pjes\u00ebn e jashtme t\u00eb ark\u00ebs, n\u00eb nj\u00eb medaljon argjendi t\u00eb punuar, \u00ebsht\u00eb b\u00ebr\u00eb Kryq\u00ebzimi i Krishtit me N\u00ebn\u00ebn e Zotit dhe Sh\u00ebn Gjoni, dhe nga brenda, piktor\u00ebt Mihaill dhe Daniill pikturuan figurat e shenjtor\u00ebve, reliket e t\u00eb cil\u00ebve jan\u00eb t\u00eb ngulitura n\u00eb ark\u00eb. Personazhet e nj\u00ebjt\u00eb jan\u00eb paraqitur n\u00eb gdhendje n\u00eb reliev argjendi, t\u00eb p\u00ebrfaq\u00ebsuara n\u00eb ark\u00eb. K\u00ebtu jan\u00eb reliket e Shn\u00ebn Gjon Pag\u00ebzorit, t\u00eb cil\u00ebt jan\u00eb paq\u00ebsor\u00eb dhe sh\u00ebrues, si dhe ata t\u00eb Sh\u00ebn Marin\u00ebs, Sh\u00ebn Paraskev\u00ebs, Sh\u00ebn Eustatit, Sh\u00ebn Pantelleimonit, Sh\u00ebn Jakovi, v\u00ebllai i Zotit, Sh\u00ebn Zhullieta dhe Sh\u00ebn Kiriku, Sh\u00ebn Trifuni, Sh\u00ebn Harallampij dhe Sh\u00ebn Nikita. N\u00eb mes t\u00eb ark\u00ebs \u00ebsht\u00eb gdhendur nj\u00eb kryq i madh argjendi, n\u00eb t\u00eb cilin \u00ebsht\u00eb ngulitur nj\u00eb pjes\u00ebz e Kryqit t\u00eb \u00c7muar t\u00eb Shp\u00ebtimtarit ton\u00eb – Zotit Jezu Krisht. K\u00ebto relike u soll\u00ebn nga Kostandinopoli dhe manastirit iu dhuruan nga tregtari i pasur Haxhi Naqe nga fshati Beli\u00e7ic\u00eb.<\/p>\n

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Arka me relike<\/figcaption><\/figure>\n

P\u00ebrve\u00e7 k\u00ebtyre relikeve, n\u00eb altarin ruhen edne reliket e Sh\u00ebn Klementit, Sh\u00ebn Stefanit, Sh\u00ebn Nikolajit Mirllikiski, Sh\u00ebn Serafim Sarovskit, Sh\u00ebn Gjonit t\u00eb Rusis\u00eb, Sh\u00ebn Barbar\u00ebs, Sh\u00ebn Llazari Kat\u00ebrditor, Sh\u00ebn Klimenti, Sh\u00ebn Agatangel Bitollski, Sh\u00ebn Nektarij i Eginski dhe t\u00eb tjer\u00eb. Reliket jan\u00eb nj\u00eb thesar shpirt\u00ebror i pa\u00e7mim p\u00ebr manastirin, sepse n\u00ebp\u00ebrmjet tyre k\u00ebta shenjtor\u00eb jan\u00eb t\u00eb pranish\u00ebm n\u00eb lutje dhe bekime n\u00eb k\u00ebt\u00eb tempull, duke u b\u00ebr\u00eb nd\u00ebrmjet\u00ebsues t\u00eb fort\u00eb para Zotit p\u00ebr murgjit dhe laik\u00ebt, t\u00eb cil\u00ebt me besim afrohen p\u00ebr t\u00eb adhuruar para tyre. Sepse reliket e shenjta, duke kaluar n\u00ebp\u00ebr zjarrin e bekuar t\u00eb martirizimit dhe asketizmit, u shnd\u00ebrruan n\u00eb nj\u00eb thesar t\u00eb v\u00ebrtet\u00eb t\u00eb Zotit t\u00eb paz\u00ebvend\u00ebsuesh\u00ebm dhe t\u00eb gjall\u00eb. Kisha e Krishtit bazohet gjithashtu n\u00eb reliket e hyjnizuara t\u00eb shenjtor\u00ebve.<\/p>\n

\"\"<\/a>
Pema e ndershme e kryqit<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Ikonostasi Dekorimi dhe rregullimi i brendsh\u00ebm i kish\u00ebs filloi nga Abati Arsenij n\u00eb vitin 1810. Nga fundi i jet\u00ebs s\u00eb tij, Abati Arsenij do t\u00eb b\u00ebhet meritori m\u00eb i madh p\u00ebr pun\u00ebsimin e piktor\u00ebve dhe drugdhend\u00ebsve t\u00eb ikonave. Dekorimi m\u00eb i bukur n\u00eb kish\u00eb dhe m\u00eb i famshmi p\u00ebr k\u00ebt\u00eb tempull, \u00ebsht\u00eb padyshim i bukuri<\/p>\n","protected":false},"author":1,"featured_media":100430,"parent":100330,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-bigorski.php","meta":{"_acf_changed":false,"wprm-recipe-roundup-name":"","wprm-recipe-roundup-description":"","ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-100429","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/bigorski.org.mk\/sq\/wp-json\/wp\/v2\/pages\/100429","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bigorski.org.mk\/sq\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bigorski.org.mk\/sq\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bigorski.org.mk\/sq\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bigorski.org.mk\/sq\/wp-json\/wp\/v2\/comments?post=100429"}],"version-history":[{"count":0,"href":"https:\/\/bigorski.org.mk\/sq\/wp-json\/wp\/v2\/pages\/100429\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/bigorski.org.mk\/sq\/wp-json\/wp\/v2\/pages\/100330"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bigorski.org.mk\/sq\/wp-json\/wp\/v2\/media\/100430"}],"wp:attachment":[{"href":"https:\/\/bigorski.org.mk\/sq\/wp-json\/wp\/v2\/media?parent=100429"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}